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Canon EOS 300D Digital Rebel
I'll start with the bottom line first: this camera has great image
quality for an extremely low price.
Moving from a professional Canon film camera to a Rebel can be a
depressing experience. The first thing one will notice is the lack of a
rear command-dial. To me, this one ommission is worth the upgrade price
to a Canon 20D. Of course I won't be doing that anytime soon as I'm
poverty-stricken. The lack of a spot-meter in this camera irritates me
but is no longer an absolute necessity in this age of instant exposure
determination with histogram included. I, however, waste a lot of time
taking a picture, checking the histogram, dialing in exposure
compensation, taking the picture again and hoping I got the exposure
right this time round. Wouldn't it be soooo much easier to take one
spotmeter reading instead of twiddling? Twiddling with your equipment
all the time is one sure way to miss the shot. Speaking of missing the
shot; it is usually helpful if you can actually see what you're
shooting before you take the picture. When you first look through the
viewfinder of the Rebel prepare yourself tunnel vision in extremis. You
will get used to it, but tough luck if you like to focus manually.
Although the camera has a plasticky look, it does feel solid in the
hands and resists flexing well. The bottom of the camera, however, is
prone to scratches. My humble advice to anyone purchasing this camera
is to void(!) your Canon warranty by downloading and installing a
firmware hack available
here.
Assuming the site actually loads (it's a bit sluggish) the hack
provides you with access to custom functions not ordinarily available.
They include mirror lock-up, control of autofocus modes, ISO 3200
selection, and other goodies.
The camera takes about 2 seconds from turn-on to be ready for taking a
picture. Not bad, but it can be faster. The newer 20D, 5D and Rebel XT
are almost instantaneous in their turn-on times. Which brings me to
digital obsolescence. Digital cameras are disposable. My digital Rebel
magically turned into junk when the new XT 350, 20D and 5D were
released; at least in the minds of buyers who want the most megapixels.
People fail to realise that 8.2 megapixel cameras will take pictures
identical in quality to the 6.3 megapixel 300D. The only difference
will be a 15% increase in enlargement factors in printing. This is an
irrelevant quantity - moreso since many users don't enlarge
beyond 8"x10" prints anyway. Nevertheless, just as no one will be
lining up to buy your x386 PC, the same principle applies to digital
cameras.
Noise at high ISOs only becomes objectionable at 1600 and above.
Pictures can be made usable with Photoshop third party plugins like
Noise Ninja or Neat Image, however. Better results can be accomplished
by exposing the picture so that the histogram readout is as far to the
right as possible without burning out the highlights. Compared to ISO
1600 film, the quality one can get out of this camera is astonishing.
Another favourable attribute is the rather intelligent white balance
alogorithms. No more need to worry about tungsten or flourescent
lighting! This has to be one of the great advantages of digital. I
shoot RAW files with this camera exclusively and I have the option to
adjust the white balance to my liking in my RAW converter software
afterwards.
The camera comes supplied with an 18-55 EFS lens as
part of a kit. My recommendation would be to, instead, start off with
the 50mm f1.8 lens or the 35mm f2.0 lens. Remember that the Rebel has
an APS sized sensor so all lenses suffer a 1.6X multiplication factor.
That is, a 35mm lens becomes 50mm, and a 50mm lens becomes an 80mm
lens. Basically, buy the best lenses you can afford. My current lens is
the EF 50mm f2.5 macro.
My final impression has nothing to do with the camera per se, but with
my general dislike of the digital process. I really prefer using my old
film cameras. For those of you into digital, this is a very good camera
indeed. Don't be fooled by the hype surrounding newer camera releases;
professional images have been taken with first generation 2 MP cameras.
In fact, a prominent large-format photographer has claimed that the
output from the digital Rebel printed at 8"x10" equals a print of the
same size from a large-format camera!